-
Most recent posts
- – The blackface lumpenproletariat and American popular culture
- – African American Music – A survival or an actual creative force in today’s culture?
- – Christmas is when the greedy give to the needy
- – The blues, they are no art
- – How criticism helped the vaudeville: The spotlight on Franklin “Baby” Seals
- – Wagner, Beethoven & Negro Folksongs, and … baseball
- – The Whitman Sisters: why we may never silence them.
- – Catfish & Cotton & Caffeine
- – Marketing Patent Medicine Folk and Blues
- – Blues from the circus tent
Categories
- – Artists (23)
- Alexis Korner (1)
- Blind Boy Fuller (1)
- Blind Willie Johnson (1)
- Deford Bailey (1)
- Franklin "Baby" Seals (1)
- Henry Thomas (1)
- Jaybird Coleman (1)
- Joe Evans and Arthur McCain (1)
- King Solomon Hill (1)
- Leroy Carr (1)
- Mavis Staples (1)
- Mississippi Fred McDowell (1)
- Rubin Lacy (1)
- Skip James (2)
- Son House (5)
- The Sparks (1)
- The Whitman SIsters (1)
- Walter Furry Lewis (1)
- – Blues history (42)
- – Did you know ? Blues facts from within (16)
- – Key figures (7)
- Butler May (1)
- Charles Peabody (1)
- H. C. Speir (1)
- Henry Edward Krehbiel (1)
- John Hammond (1)
- Lucy McKim (1)
- Perry Bradford (1)
- – Key Songs and Albums (3)
- Stagger Lee (1)
- Sweet Home Chicago (1)
- The Boll Weevil Song (1)
- – Pre Blues era (24)
- – Technology and Marketing (5)
- Minstrelsy (5)
- Vaudeville (5)
- – Artists (23)
Category Archives: The Boll Weevil Song
– The Beetle Blues
As Edward Comara points out in his Encyclopedia of the Blues (p. 995), it is quite normal that the blues singer in his capacity as African American bard deals with disasters of all different kind : incidental, long-term, accidental and natural. An analysis of the frequency of the disaster theme in blues songs and its […]
Posted in - Blues history, The Boll Weevil Song
2 Comments