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Most recent posts
- – The blackface lumpenproletariat and American popular culture
- – African American Music – A survival or an actual creative force in today’s culture?
- – Christmas is when the greedy give to the needy
- – The blues, they are no art
- – How criticism helped the vaudeville: The spotlight on Franklin “Baby” Seals
- – Wagner, Beethoven & Negro Folksongs, and … baseball
- – The Whitman Sisters: why we may never silence them.
- – Catfish & Cotton & Caffeine
- – Marketing Patent Medicine Folk and Blues
- – Blues from the circus tent
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Category Archives: – Blues history
– Blues blows the vacuum tubes of the radiola
“Blues blows the vacuum tubes of the radiola” (radiola was the name that RCA gave to its early production radios). This could have been a title in the Chicago Defender journal of 1922. It could have continued saying that: “Since the intense and high pitch voices of some country blues artists blow out the vacuum […]
Posted in - Blues history, - Technology and Marketing
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– The cheap Bluebird blues of the 1930s.
After the stock market crash of 1929 and the Great Depression, the blues wouldn’t be the same anymore. For a start, the record business, as other businesses, tumbled down to sales which would hardly go beyond 5 % of what it was before. The blues and black music market would be particularly hard hit. However, […]
Posted in - Blues history, - Technology and Marketing
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– Knitting the blues : race records by Paramount
One can seriously ask the question to which degree the emergence of the recorded blues could not be considered as a pure consequence of luck following risk taking by white entrepreneurs driven by pure financial and economic necessity! When the singer, songwriter and vaudeville/minstrelsy artist Perry ‘Mule’ Bradford finally succeeded in 1920 to convince Okeh-records […]
Posted in - Blues history, - Technology and Marketing
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– Blues, oil and real estate
It is commonly agreed that the pre-war country blues would not have been what it turned out if it hadn’t been for the efforts and energetic enthusiasm spent by one man: Henry Columbus Speir. Of course, his efforts have to be put in its proper historical context which is the one I wrote about in […]
Posted in - Blues history, H. C. Speir
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– Banjo and fiddle : where Africa and Europe meet
It is my firm conviction that the legacy of the blues has largely been shaped by the standards of the white market entrepreneurial spirit. When we think of pre-war blues we tend to see a lonely, black hobo with a guitar in his hand. Indeed, many a blues player from the twenties and the thirties […]
Posted in - Blues history
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